There's that quote - the one attributed to Thomas Fuller that I always tend associate with Harvey Dent in THE DARK KNIGHT... "The night is darkest just before the dawn." When it comes the metaphor, it was 2010 that was one of my darkest times. My wife and I were new parents, struggling to find our way and learn how to manage life with a child, just as all new parents do. The emotions of parenthood were intermixed with my own improperly managed depression and anxiety, and there were "events" throughout the year that were just not good. Blow-up after blow-up, I was cracking - allowing myself to be influenced by others, working with the wrong people... for the wrong company, and not knowing what I was really doing... or what I should be.
I don't know how many of you know about this since it all happened prior to my starting The Rock Father, but on February 1, 2010, I lost one of my closest friends to a single-car accident on a rural road in Southeastern Wisconsin. JUSTIN MENTELL was just 27 years old, a talented artist that excelled at everything he'd attempt. We'd met back in 2004 while working on the set of a movie called ROLL BOUNCE, and over the next six years, we'd share many adventures, collaborate on some things, and above all, have each other's backs. After moving to Hollywood for a few years to work on projects like BOSTON LEGAL and PALO ALTO, Justin moved back to Illinois after the premiere of the Disney Film, G-FORCE, in which he had a supporting role. He'd begun focusing on his painting and music, and his German Shepherd, Meisner was a constant companion. Just over six months later, everything came to an abrupt stop.
Originally posted on STARLOG
Released theatrically in 3-D this past July, Disney's G-FORCE was met with lukewarm critical reviews despite positive audience reaction and a box office take of over $119M (falling short of it's estimated $150M budget). There's not a lot you can say about a film in which CGI Guinea Pigs fight the forces of evil alongside live-action human counterparts to sell it upon an adult audience without realizing that adults aren't the audience. It's a film distinctly aimed at kids.