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Monday, April 17 2017 10:50

The Maine - "House of Blue Déjà Vu"

I know I tend to always overthink

But tonight it’s as simple as this

All I need is a lovely little lonely kiss

I have a friend who’s always playing bands I’ve never heard of, Catfish and the Bottlemen, The 1975, Acceptance, Jimmy Eat World, Saves The Day, Bad Suns, and State Champs, to name a few. Ok, so I've heard of The 1975 and Jimmy Eat World but never listened to any of their music until she mentioned how much she loved them. I respect her opinion and want to understand the world through her lens.

Published in Music News

When it comes to the Holiday season and Holiday music, THE BRIAN SETZER ORCHESTRA is one of the few modern acts to become firmly solidified with both. The 18-piece big band fronted by the STRAY CATS' guitarslinger has been rockin' and swingin' for nearly a quarter-century on its own, but its association with the festive season happened purely by chance - brought about by filmmaker Brian Levant inviting Setzer to pen some tracks for his 1996 movie, JINGLE ALL THE WAY (coincidentally, my favorite Holiday film of all-time). The full story of how The BSO's "Christmas concept" evolved was eloquently detailed by Dave Kaplan in the liner notes for 2010's CHRISTMAS COMES ALIVE! album, but that story has continued. With a new record called ROCKIN' RUDOLPH out now on Surfdog Records, The BSO is back on the road for their 12th Annual Christmas Rocks! Tour - a 31-City Christmas extravaganza to close out 2015...

It was probably around 11:30pm on the night of January 27, 1994. There I was, a seventeen-year-old headbanging television host, standing in the midst of unexpected destruction - the aftermath of a concert which should've never taken place in this particular venue, The Adler Theatre in Davenport, Iowa. Whoever decided that it was a good idea to hold a rock show featuring WHITE ZOMBIE, PRONG and THE OBSESSED in a seated, classical theater with no standing room was undoubtedly in deep trouble - and I was right there in the middle of it - looking up from the ground floor as a faint cloud of dust could be seen still rising into the lights from above. To one side there were security guards and theater staff, bewildered by what had happened. On the other, a group of Police Officers equally puzzled. Directly next to me and a friend were members of the evening's headline act, WHITE ZOMBIE. But Rob wasn't there.

Published in James' Journal

Over the past 22+ years, I've had the privilege of photographing some of the biggest names in rock - among them, some of my favorite bands. These days, however, it's a very rare occasion to find me in the pit doing a show as the photo side isn't really my thing at this point. While I don't have the high-end gear on-hand like I once did, occasionally something will pull me out of my self-imposed hiatus - armed with a DSLR and a few lenses to capture and share an experience through my own eyes. This weekend, that happened. Of all the places, ROB ZOMBIE set-up shop just down the road from my house - a significant occurrence for several reasons, and because of that, Mr. Zombie will be getting his own feature here on THE ROCK FATHER in just a few... but in the meantime, I wanted to share a collection of photos and a few words about the artists who played with him on July 19, 2014 at Austin's Fuel Arena on the Lake County Fairgrounds in Grayslake, Illinois - part of a massive event staged by FM Entertainment and 95 WIIL Rock. STONE SOUR, THEORY OF DEADMAN, DEVOUR THE DAY, THE LAST VEGAS, WILSON and CILVER.

Published in James' Journal

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