On their third full-length outing, Andy Samberg, Akiva Shaffer, and Jorma Taccone - collectively known as THE LONELY ISLAND - break out the jams for a rap album that's hardly wack, despite being called THE WACK ALBUM. As a follow-up to their previous albums, 2009's INCREDIBAD and 2011's TURTLENECK & CHAIN (both of which I own) THE WACK ALBUM is just as good (if not better in places) on a comedic front, but it opens up a weird situation in which THE LONELY ISLAND almost sounds too legit. While being a send-up of current hip-hop, THE WACK ALBUM is easily on-par production-wise with the best of who they're lovingly taking shots at, and the delivery is just so serious that you could picture these guys busting out some non-funny rhymes at some point in the near future.
Has it been 10 years already? It's hard to imagine, but I guess it has. When MAROON 5 first burst onto the scene with their debut album, SONGS ABOUT JANE in 2002, I was managing a Sam Goody store and was at the forefront of the musical battlefield, introducing the masses to new sounds on a weekly basis. In-between the punk rock and heavy music that so often could be heard blaring from the store (much to the dismay of the Dress Barn across the hall), we spun some pop - but only what we dug. MAROON 5 fit the bill.
Today's not only the day that MAROON 5 sees the release of their SONGS ABOUT JANE 10th Anniversary Edition (get it now on iTunes), but it's also the day that they get paid tribute via Lullaby. The folks over at Twinkle Twinkle Little Rock Star just sent over details on LULLABY VERSIONS OF MAROON 5 (now on iTunes), a collection of 12 ''lush instrumental versions'' of popular tracks from the band, perfect for baby's nursery, or just for relaxation for Mom and Dad. This collection doesn't just mine the past, it's got lullaby versions of "Payphone" and "Come to the Water" from the HUNGER GAMES as well. Tracklisting below...
MAROON 5 will probably have the #1 album in the country by this time next week. Having seemingly recorded the same album for the third time, the Los Angeles band has managed to increase the pop factor with each session, producing consistently safe music aimed at the most mainstream of audiences.