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Farm Aid turned 40 this weekend, rocking Huntington Bank Stadium in Minneapolis with a milestone celebration that doubled as a rallying cry for America’s family farmers. What began as a “one-time” concert in 1985 has grown...
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THE BIRTHDAY MASSACRE – PINS & NEEDLES (Archive Album Review)

Canadian Synth-rockers THE BIRTHDAY MASSACRE are back for a fourth round with PINS & NEEDLES (out September 14th via Metropolis Records). Finding just the right balance...

WEEZER – HURLEY (Advance Review)

Traditionally, WEEZER albums are at their best when they have no title and are only identified by the color of the background present on...

POWERGLOVE – SATURDAY MORNING APOCALYPSE (Advance Review)

If you don't know what a "Power Glove" is, you were probably born after 1990. History Lesson: The Power Glove  (I still have one) was a...

MURDERDOLLS – WOMEN AND CHILDREN LAST (Review)

If Motley Crue were bitten by zombies and resurrected with instruments in-hand, they'd probably sound a lot like MURDERDOLLS. With elements of punk and glam...

AMERICAN BANG – Self-titled (Track-by-Track Review)

There's been a lot of musical "resurgence" over the past few years, and one area particularly feeling the swell is that of the pure "rock" band. It's hard...

DISTURBED – ASYLUM (Review)

It's hard to believe that Chicago's DISTURBED have already been at it for over a decade. The band that rose to stardom by inviting...