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Every December, the streets of New York City turn into a winter carnival of pine, lights, and pure hustle — and this year, that tradition gets the documentary treatment. The Merchants of Joy, from Amazon MGM...
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HELMET – SEEING EYE DOG (Review)

Somewhere in the mid 1990's something happened. Whenever someone would ask me to name my favorite bands, HELMET became a part of that list....

THE BIRTHDAY MASSACRE – PINS & NEEDLES (Archive Album Review)

Canadian Synth-rockers THE BIRTHDAY MASSACRE are back for a fourth round with PINS & NEEDLES (out September 14th via Metropolis Records). Finding just the right balance...

WEEZER – HURLEY (Advance Review)

Traditionally, WEEZER albums are at their best when they have no title and are only identified by the color of the background present on...

POWERGLOVE – SATURDAY MORNING APOCALYPSE (Advance Review)

If you don't know what a "Power Glove" is, you were probably born after 1990. History Lesson: The Power Glove  (I still have one) was a...

MURDERDOLLS – WOMEN AND CHILDREN LAST (Review)

If Motley Crue were bitten by zombies and resurrected with instruments in-hand, they'd probably sound a lot like MURDERDOLLS. With elements of punk and glam...

AMERICAN BANG – Self-titled (Track-by-Track Review)

There's been a lot of musical "resurgence" over the past few years, and one area particularly feeling the swell is that of the pure "rock" band. It's hard...