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Ozzy Osbourne may not be around forever (though my fingers are crossed), so the geniuses at Liquid Death have hatched a sinister plan to ensure that The Prince of Darkness lives on. The folks behind the world's...
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THE GEORGIAN SKULL – MOTHER ARMAGEDDON, HEALING APOCALYPSE (Advance Album Review)

They baited, hooked, and lured me in with the promise of an album carrying the influence of BLACK SABBATH, LED ZEPPELIN, THIN LIZZY, CLUTCH,...

BOB WAYNE – OUTLAW CARNIE (Album Review)

Aside from essentially having two first names, BOB WAYNE and CHARLIE DANIELS have a lot in common. Both share an affection for the banjo...

BAYSIDE – KILLING TIME (Advance Album Review)

One of the buzz bands of the early-mid 2000's explosion of emo-driven rock, BAYSIDE first my radar with their first two releases on Chicago's...

THE PRETTY RECKLESS – LIGHT ME UP (Archive Album Review)

Released elsewhere in the world last Fall, THE PRETTY RECKLESS will see the North American release of their debut album LIGHT ME UP this...

Motörhead – The Wörld is Yours (Album Review)

In life there's certain things that are consistent, staying the same for better or for worse. The same goes for rock, and for the...

THOMAS GILES – PULSE (Album Review)

THOMAS GILES' PULSE (out February 1, 2011 via Metal Blade) is a curious record, a nearly unclassifiable sonic oddity. The latest solo effort from...