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In the age of digital disruption, success at work is directly tied to how quickly and effectively you can adapt to new technology. With industries changing and automation transforming the nature of work itself, tools that were...
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BARREN EARTH – CURSE OF THE RED RIVER (Review)

The debut full-length from Finland's BARREN EARTH could easily be described in only one word: Epic. Due out April 6th via Peaceville Records, CURSE OF THE RED...

AUSTRIAN DEATH MACHINE – DOUBLE BRUTAL (Archive Review)

Taking inspiration from the films of Arnold Schwarzenegger and featuring a cartoon parody of the California Governor named "Ahhhnold" on periodic vocals, playing second-fiddle...

POWERMAN 5000 – SOMEWHERE ON THE OTHER SIDE OF NOWHERE (Album Review)

PM5K first hit my personal radar with their 1997 release MEGA!! KUNG-FU RADIO, which I still have in my personal archive but rarely revisit....

THE CINEMATICS – LOVE AND TERROR (Album Review)

The second album by Scotland's THE CINEMATICS - a band I was admittedly unfamiliar with - LOVE AND TERROR is a stylish entry into the recent...

MEGADETH – ENDGAME (Album Review)

Back in 1993, MEGADETH's Dave Mustaine was the second interview I'd ever conducted. Only 16 at the time and sporting a horrible Iowa-style metalhead...

DETHKLOK – DETHALBUM II (Album Review)

In 2007 the metal world was knocked on it's ass when Nathan Explosion, Skwisgaar Skwigelf, Toki Wartooth, William Murderface, and Pickles (collectively known as...