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Every December, the streets of New York City turn into a winter carnival of pine, lights, and pure hustle — and this year, that tradition gets the documentary treatment. The Merchants of Joy, from Amazon MGM...
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LOW TWELVE – SPLATTER PATTERN (Review)

For over a decade, Illinois' LOW TWELVE have been hiding in the underground, emerging on occasion to share the stage with the likes of...

IT’S ALIVE – HUMAN RESOURCES (Album Review)

Wind-Up Records is a label responsible for releasing a lot of shit over the course of the past decade. All of the Creed, Scott Stapp, and...

BRAINDRILL – QUANTUM CATASTROPHE (Review)

There's a genre being touted as "Tech Metal" or "Technical Metal" that's being used to describe death metal bands that have some serious progressive...

DANZIG – DETH RED SABAOTH (Advance Review)

The thing about a DANZIG record that happens to be both beautiful, and problematic, is that every Danzig record sounds like a Danzig record. Regardless...

STIGMA – CONCERTO FOR THE UNDEAD (Review)

Being a notorious fan of the horror genre, CONCERTO FOR THE UNDEAD by Italian metallers STIGMA intrigued me right away. You see, this entire album has...

NITROMINDS – KILL EMO ALL (Review)

There's a good chance you've never heard of NITROMINDS. The Brazilian trio has been cranking out music with an old-school punk vibe since the...